I had a meeting with him today,” 50 said Thursday. “First we gotta start with the music — where’s the music? Then we have to get into what it would take to bring him over to G-Unit as a record company. You can’t sign a deal in a conversation — it’s a process. We’ll see what happens.”

Fif did note that he thinks Beanie is capable lyrically and looks forward to hearing what he has in his vaults. “I would listen to what he has,” Fif explained. “His skills haven’t diminished. Nine times out of 10, he’ll have something workable already on deck. When you’re dealing with artists who have been established longer than you, it’s a process. You have to figure out exactly where they are at before you commit to being a part of those projects, because they have habits and they’ve been conditioned for something different. You have to figure out exactly what that is before you dive in.”

The Broad Street Bully isn’t the only established MC Fif is thinking about extending an invitation to. “I got artists who I’m looking at,” he said. “A few of them aren’t actively available for me to do different things with them. But I’m looking to sign new artists into the actual company.

“I love Jay, I love Beans — what’s the reason for beef?” “That’s stupid. What’s the reason for beef? People die, people don’t feel good — I want people to laugh. I was surprised. I was hurt for him, more or less, because I know that ain’t him. But I don’t want to speak on that. Whatever [Beanie's] going through where he’s got to do that … I could understand where he may look at things and feel that way. I can see that. He’s probably got a lot of people around him and nobody to really tell him what’s going on. It was a different environment for Roc-A-Fella back then. I feel bad for those cats. I love those cats. I hate that they struggle. I hate it. I hate to see anybody struggle. I don’t embrace that. I’m not one of those dudes that get happy when I hear something bad about somebody I had a bond with. I really loved those dudes.”

"so I gave him a check for $30K and I'm paying a car not for 2200 a month, 3 months later I was like Biggs, what you gon do with that car, let me take that note over, I wanna give it to my mom... 4 months later is was my birtday, we was at the studio, my mom cooked food for everybody, Dame, Jay, everybody, they ate and my mom said let me get the keys to your car, I wanna go downstairs and do something before I leave, but she left with the car. So I'm like, yo, she took the car and Biggs said 'Happy Birthday' just pay the note.. so the issue about the Bentleys, you shot yourself in the foot with that

Now, the record label, you didn't give me a record label, all I did was spend a couple hundred dollars to search the name state property records... I think I paid a couple hundred more dollars for the LLC to license the company, so my record label only cost me $750 to say on a piece of paper that I own State property records LLC, I did that on my own, and what artist was on state property records, so what did you give me

The cloting line I had 20% of state property clothing, It was Me, Jay, Dame and the 2 other Russians that owned Roc-A-Wear owned state property, cuz I gave them an idea, pitched it to Dame at the time, cuz I saw him drawing close to me when him and Jay was going through they thing

You didn't give me the movie, it was a guy from Philly who had the script, I didn't have the money, to put out a movie, I bought him up to Rocafella... we had to switch it up, because he was talking about JBM... you didn't give me the movie, I gave you a script and I didn't make no money off of that. And even on the clothing line... the same reason why you and dame broke up,cuz he was taking all the money from Rocafella and putting it into his other businesses is the same thing he did to State property..."